"Mass No. 19 in D Minor, K. 626 "Requiem": III. Seq. 5, Confutatis" by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra was released on May 1, 2021. The duration of Mass No. 19 in D Minor, K. 626 "Requiem": III. Seq. 5, Confutatis is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Mass No. 19 in D Minor, K. 626 "Requiem": III. Seq. 5, Confutatis's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 30 in Dark Academia - The Darkest... by Various Artists. Based on our statistics, Mass No. 19 in D Minor, K. 626 "Requiem": III. Seq. 5, Confutatis's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 19 in D Minor, K. 626 "Requiem": III. Seq. 5, Confutatis by Wolfgang Amadeus Mozart, Carlo Maria Giulini, Philharmonia Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: III. Gavotte en rondeau | Johann Sebastian Bach, Hilary Hahn | E Major | 1 | 12B | 112 BPM | ||
Flute Concerto No. 2 in D Major, K. 314: II. Andante ma non troppo | Wolfgang Amadeus Mozart, Patrick Gallois, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | G Major | 0 | 9B | 67 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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