Johannes Brahms, Orchestre Symphonique Mav de Budapest, Kurt Redel made "Danse hongroise n°1 en sol mineur: Allegro molto" available on 1994. The duration of Danse hongroise n°1 en sol mineur: Allegro molto is about 3 minutes long, at 3:14. Based on our data, "Danse hongroise n°1 en sol mineur: Allegro molto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 21 in Brahms : 21 danses hongroises by Johannes Brahms, Orchestre Symphonique Mav de Budapest, Kurt Redel. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Danse hongroise n°1 en sol mineur: Allegro molto's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Danse hongroise n°1 en sol mineur: Allegro molto by Johannes Brahms, Orchestre Symphonique Mav de Budapest, Kurt Redel is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse No. 6 | Richard Raymond, Frédéric Chopin | D♭ Major | 1 | 3B | 87 BPM | ||
Dvořák: Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di Valse | Antonín Dvořák, Sir Charles Mackerras, English Chamber Orchestra | A Major | 0 | 11B | 170 BPM | ||
L'arlesienne: Act I: Prelude | Georges Bizet, Gert Westphal, Andreas Pietschmann, Gisela Zoch, Martin Neubauer, Cologne Radio Chorus, Cologne Radio Orchestra, Helmut Froschauer | C Major | 0 | 8B | 100 BPM | ||
Nocturne No. 15 In F Minor, Op. 55 No. 1 | Frédéric Chopin, Maurizio Pollini | F Minor | 0 | 4A | 71 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
Symphonie n°9 en mi mineur, Op. 95 du nouveau monde: Adagio | Antonín Dvořák, Slovak Philharmonic, Kurt Redel | E Minor | 1 | 9A | 121 BPM | ||
Concerto pour hautbois: Adagio | Benedetto Marcello, Orchestre Paul Kuentz, Chantal Perrier-Layec, Monique Frasca-Colombier, Régis Manceau, Gildas Prado | D Minor | 1 | 7A | 64 BPM | ||
Le Carnaval des Animaux, R. 125: 14. Finale | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 3 | 8B | 102 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
The Tale of Tsar Saltan: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, Manuel Rosenthal, Orchestre Théâtre National De L'Opéra De Paris | D Minor | 1 | 7A | 82 BPM |
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