"Im Gestein: III. Nacht" by György Ligeti, Robert Heppener, Daniel Reuss, Ensemble Musikfabrik, Cappella Amsterdam was released on 2007. With this song being about 5 minutes long, at 5:00, "Im Gestein: III. Nacht" by György Ligeti, Robert Heppener, Daniel Reuss, Ensemble Musikfabrik, Cappella Amsterdam is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in György Ligeti, Susanne Van Els, Cappella Amsterdam, Ensemble Musikfabrik, Daniel Reuss's "Ligeti: Lux aeterna" album is number 10 out of 14. Based on our statistics, Im Gestein: III. Nacht's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Im Gestein: III. Nacht by György Ligeti, Robert Heppener, Daniel Reuss, Ensemble Musikfabrik, Cappella Amsterdam to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for 5 Voices, T. 3: Vb. Agnus Dei III | William Byrd, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 134 BPM | ||
The Perilous Night: No. 1. — | John Cage, Boris Berman | B♭ Major | 0 | 6B | 77 BPM | ||
Three Miniatures for Solo Violin: I. A Lullaby for Lalit | George Benjamin, Carolin Widmann | D Major | 1 | 10B | 108 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Puts: The Hours, Act 1: Prologue. "Flowers... Flowers" (Chorus) [Live] | Kevin Puts, Yannick Nézet-Séguin, Metropolitan Opera Chorus, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
11 Gates: No. 10, Seafloor Meditation (Whispering Mirrors at the Seafloor) | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 89 BPM | ||
Considering Matthew Shepard: Passion, 8. Recitation III | Craig Hella Johnson, Conspirare | E♭ Minor | 1 | 2A | 91 BPM | ||
Trail | Robert Heppener, Nieuw Ensemble, Ed Spanjaard | C Major | 1 | 8B | 133 BPM | ||
Miserere, Op.44: 2. Domine Deus noster-Lento. Dolce Cantabile | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 90 BPM | ||
Miserere: VIII. Libera me de sanguinibus ; Domine labia mea aperies - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | C Major | 2 | 8B | 81 BPM |
Section: 0.5363030433654785
End: 0.5411953926086426