Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra's 'Die Zauberflöte, K.620, Act II: Tamino, wollen wir nicht speisen? (Papageno, Pamina)' came out on 1981. With Die Zauberflöte, K.620, Act II: Tamino, wollen wir nicht speisen? (Papageno, Pamina) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Wolfgang Amadeus Mozart, Bernard Haitink, Bavarian Radio Symphony Orchestra's "Mozart - Die Zauberflöte" album is number 16 out of 59. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Die Zauberflöte, K.620, Act II: Tamino, wollen wir nicht speisen? (Papageno, Pamina) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Die Zauberflöte, K.620, Act II: Tamino, wollen wir nicht speisen? (Papageno, Pamina) by Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM | ||
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Nabucco / Act 2: Chi s'avanza? Orrenda scena | Giuseppe Verdi, Ghena Dimitrova, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 4 | 10B | 72 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act IV Scene 11: Finale - ... Pace, Pace, Mio Dolce Tesoro! | Donato Di Stefano, Jozsef Mukk, Patrizia Pace, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Ingrid Kertesi, Maria Pia Ionata, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | B♭ Major | 1 | 6B | 96 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Humperdinck : Hänsel und Gretel : Act 1 "Hotta! Himmel, die Mutter" [Stepmother, Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 102 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
The Creation, Hob.XXI,2: Pt. 2, In Native Worth and Honour Clad | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Harry Christophers | C Major | 1 | 8B | 130 BPM | ||
Fidelio, Op. 72 / Act 1: "Jetzt, Schätzchen, jetzt sind wir allein" | Ludwig van Beethoven, Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | A Major | 2 | 11B | 82 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM |
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