"Piano Concerto No. 1, Op. 25 (Arr. By Backhaus): II. Andante - Duo-Art 6968" by Felix Mendelssohn, Wilhelm Backhaus, Peter Phillips was released on February 15, 2024. With this song being about 5 minutes long, at 5:13, "Piano Concerto No. 1, Op. 25 (Arr. By Backhaus): II. Andante - Duo-Art 6968" by Felix Mendelssohn, Wilhelm Backhaus, Peter Phillips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Bernhard Stavenhagen, Wilhelm Backhaus, Frédéric Chopin, Franz Liszt, Johann Sebastian Bach, Camille Saint-Saëns, Edvard Grieg, Felix Mendelssohn, Franz Schubert, Igor Stravinsky, Pyotr Ilyich Tchaikovsky, Maurice Ravel, Edward Elgar, Richard Wagner's "Great Piano Transcriptions from the Golden Age" album is number 7 out of 16. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Piano Concerto No. 1, Op. 25 (Arr. By Backhaus): II. Andante - Duo-Art 6968 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 1, Op. 25 (Arr. By Backhaus): II. Andante - Duo-Art 6968 by Felix Mendelssohn, Wilhelm Backhaus, Peter Phillips to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude Op. 25 no. 9 in G Flat Major | Valentina Lisitsa | F♯ Major | 2 | 2B | 111 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Mazurka Op. 67 No. 2 For Piano | Arthur Rubinstein | B♭ Major | 2 | 6B | 51 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM |
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