Johannes Brahms, Martha Argerich, Nelson Freire made "Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Chorale St. Antoni: Andante - Live" available on October 27, 2022. The duration of Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Chorale St. Antoni: Andante - Live is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Chorale St. Antoni: Andante - Live's duration is considered a little bit shorter than the average duration of a typical track. The song is number 56 out of 303 in Brahms: A Classical October by Johannes Brahms. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Chorale St. Antoni: Andante - Live is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations On A Theme By Haydn, "St. Anthony Variations", Op. 56b: Chorale St. Antoni: Andante - Live by Johannes Brahms, Martha Argerich, Nelson Freire is Moderato (at a moderate speed), since this song has a tempo of 113 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata No. 1 in G Major, Op. 78: Vivace ma non troppo | Johannes Brahms, Ilya Kaler, Alexander Peskanov | D Major | 1 | 10B | 78 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Concerto en ré mineur, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 2 | 7A | 85 BPM | ||
Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | ||
Intermezzo, Op. 117, No. 1 in E-Flat Major - Duo-Art 0238 Br | Johannes Brahms, Mitja Nikisch, Peter Phillips | E♭ Major | 0 | 5B | 73 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM |
Section: 0.7802104949951172
End: 0.7847578525543213