Johann Joachim Quantz, Gustav Scheck, Hans-Martin Linde, Johannes Koch, Eduard Müller made "Trio Sonata in C Major, QV 2:Anh.3: I. Affettuoso" available on September 25, 2020. The duration of Trio Sonata in C Major, QV 2:Anh.3: I. Affettuoso is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Trio Sonata in C Major, QV 2:Anh.3: I. Affettuoso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Teleman, Loeillet & Others: Recorder Works". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Italy. Trio Sonata in C Major, QV 2:Anh.3: I. Affettuoso is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Trio Sonata in C Major, QV 2:Anh.3: I. Affettuoso by Johann Joachim Quantz, Gustav Scheck, Hans-Martin Linde, Johannes Koch, Eduard Müller having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Flute Concerto in C Major, QV 5:15: II. Arioso, ma sostenuto | Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble | E♭ Major | 0 | 5B | 128 BPM | ||
Recorder Concerto in F Major: I. Allegro | Giovanni Battista Sammartini, Maurice Steger, Instrumentalensemble | B Minor | 1 | 10A | 78 BPM | ||
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | ||
Passacaglia in D Minor | Johann Caspar Ferdinand Fischer, Trevor Pinnock | D♭ Minor | 4 | 12A | 109 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo) | Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten | E♭ Major | 1 | 5B | 62 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Canon And Gigue In D Major: 2. Gigue | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 119 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: I. Allegretto | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 131 BPM |
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