"Bach, JS: Suite in E Minor, BWV 996: IV. Sarabande (Transcr. Bream)" by Johann Sebastian Bach, Julian Bream was released on June 1, 1994. With this song being about 5 minutes long, at 4:44, "Bach, JS: Suite in E Minor, BWV 996: IV. Sarabande (Transcr. Bream)" by Johann Sebastian Bach, Julian Bream is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Johann Sebastian Bach, Julian Bream's "J. S. Bach: Lute works" album is number 7 out of 16. Bach, JS: Suite in E Minor, BWV 996: IV. Sarabande (Transcr. Bream) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bach, JS: Suite in E Minor, BWV 996: IV. Sarabande (Transcr. Bream) by Johann Sebastian Bach, Julian Bream to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Grande ouverture, Op. 61 | Mauro Giuliani, Julian Bream | A Major | 2 | 11B | 123 BPM | ||
Nocturne No.1 Op.32 | Frédéric Chopin, Timo Korhonen | E Minor | 4 | 9A | 111 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Suite populaire brésilienne, W020: No. 1, Mazourka-choro | Manuel Barrueco | D Major | 1 | 10B | 114 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: XIX. Allegro corrente | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | G Major | 0 | 9B | 71 BPM | ||
Intavolatura di Liuto, et di Chitarrone, Book 1: Toccata X | Alessandro Piccinini, Björn Colell | F♯ Major | 1 | 2B | 79 BPM | ||
Trois Saudades / Saudade No. 3: 2. Danse | Roland Dyens, Kaori Muraji | G Major | 1 | 9B | 76 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM | ||
5 Bagatelles: II. Lento | William Walton, Ana Vidovic | G Minor | 0 | 6A | 111 BPM |
Section: 0.5218830108642578
End: 0.5258910655975342