Johann Sebastian Bach, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner's 'Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourée - V. Gigue' came out on January 1, 1971. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 17 out of 22 in Bach: Orchestersuiten Nr.1-4 by Johann Sebastian Bach, William Bennett, Thurston Dart, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourée - V. Gigue's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourée - V. Gigue by Johann Sebastian Bach, Academy of St. Martin in the Fields, Thurston Dart, Sir Neville Marriner is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 2 : Prelude No.3 in C sharp major BWV872 | Daniel Barenboim | D♭ Major | 0 | 3B | 133 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: I. Vivace | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | G Minor | 4 | 6A | 93 BPM | ||
Matthäus-Passion, BWV 244, Pt. 1: No. 5, Recitative. "Du lieber Heiland du" (Alto) | Johann Sebastian Bach, Annelies Burmeister, Gewandhausorchester, Rudolf Mauersberger, Erhard Mauersberger | E Minor | 1 | 9A | 82 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 1 in C major, BWV 846 | Luc Beauséjour | B Major | 3 | 1B | 78 BPM |
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