"Rachmaninov: 10 Preludes, Op. 23: No. 7 in C Minor" by Sergei Rachmaninoff, Nikolai Lugansky was released on January 5, 2001. The duration of Rachmaninov: 10 Preludes, Op. 23: No. 7 in C Minor is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Rachmaninov: 10 Preludes, Op. 23: No. 7 in C Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Rachmaninov : Preludes Op.23 & Moments musicaux". In this album, this song's track order is #8. In terms of popularity, Rachmaninov: 10 Preludes, Op. 23: No. 7 in C Minor is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rachmaninov: 10 Preludes, Op. 23: No. 7 in C Minor by Sergei Rachmaninoff, Nikolai Lugansky having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasiestücke, Op. 12: II. Aufschwung | Robert Schumann, Martha Argerich | B♭ Minor | 1 | 3A | 71 BPM | ||
13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | ||
Etude Op. 25 no. 5 in e minor | Valentina Lisitsa | E Major | 1 | 12B | 69 BPM | ||
Piano Sonata No. 2 in D Minor, Op. 14: III. Andante | Sergei Prokofiev, Matti Raekallio | A♭ Minor | 0 | 1A | 64 BPM | ||
Chopin: 12 Études, Op. 25: No. 4 in A Minor | Frédéric Chopin, Nikolai Lugansky | D♭ Major | 1 | 3B | 68 BPM | ||
Piano Sonata in G major, op.78 D.894, "Fantaisie": Piano Sonata in G major, op.78 D.894, "Fantaisie": II. Andante | Franz Schubert, Paul Lewis | D Major | 0 | 10B | 88 BPM | ||
Etude in F Major, Op. 72, No. 6 | Moritz Moszkowski, Vladimir Horowitz | F Major | 0 | 7B | 133 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | A Major | 1 | 11B | 138 BPM | ||
25 Preludes dans tous les tons majeurs et mineurs, Op. 31: No. 12 Le temps qui n'est plus: Andante | Charles-Valentin Alkan, Laurent Martin | B♭ Minor | 0 | 3A | 76 BPM |
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