Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec's 'Das listige Bauernmädchen: No. 4, —' came out on February 24, 2023. With Das listige Bauernmädchen: No. 4, — being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wranitzky: Orchestral Works, Vol. 5 by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec. The song's track number on the album is #6 out of 30 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. In terms of popularity, Das listige Bauernmädchen: No. 4, — is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Das listige Bauernmädchen: No. 4, — by Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Das listige Bauernmädchen: No. 4, — being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Gli orazi e i curiazi: Overture (1800 Paris Version) | Domenico Cimarosa, Czech Philharmonic Chamber Orchestra, Patrick Gallois | C Major | 1 | 8B | 134 BPM | ||
Violin Concerto in A Major, Op. 7 No. 1: II. Adagio | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | B Major | 0 | 1B | 79 BPM | ||
Violin Concerto in D Major, Op. 2 No. 2: I. Allegro | Joseph Boulogne Chevalier de Saint-Georges, Fumika Mohri, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 1 | 10B | 126 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
Violin Concerto in G Major, Op. 3 No. 3, RV 310 (Arr. for Trumpet & Orchestra): II. Largo | Anonymous, Antonio Vivaldi, Guido Segers, Czech Philharmonic Chamber Orchestra, Filip Dvořák, Marek Štilec | E Minor | 1 | 9A | 99 BPM | ||
Mendelssohn: 6 Lieder, Op. 1: No. 3 Warum sind denn die Rosen so blass | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | A Minor | 1 | 8A | 93 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Entr'acte | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Proserpine: Overture in D Major: III. Allegro | Giovanni Paisiello, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca | D Major | 5 | 10B | 99 BPM | ||
Kinderszenen (Scenes of Childhood), Op. 15: No. 7. Traumerei (Dreaming) (arr. K. Smith for flute and piano) | Robert Schumann, Kenneth Smith, Paul Rhodes | F Major | 0 | 7B | 74 BPM | ||
Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": III. Rondo. Allegro | Ludwig van Beethoven, Michal Mašek, Czech Philharmonic Chamber Orchestra, Leoš Svárovský | E♭ Major | 1 | 5B | 125 BPM |
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