"Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": III. Scherzo: Allegro vivace" by Wilhelm Kempff was released on November 17, 2017. The duration of Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": III. Scherzo: Allegro vivace is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": III. Scherzo: Allegro vivace's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 56 in Beethoven Piano Sonatas: The Complete Wartime 78-rpm Recordings by Wilhelm Kempff. In terms of popularity, Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": III. Scherzo: Allegro vivace is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Sonata No. 15 in D Major, Op. 28 "Pastoral": III. Scherzo: Allegro vivace by Wilhelm Kempff is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Turkish March (After W.A. Mozart) | Arcadi Volodos, Mao Fujita | A Major | 3 | 11B | 124 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
Kinderszenen, Op. 15: No. 7 Träumerei | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Cello Concerto No. 1 In C Major, G. 477: II. Largo | Tim Hugh, Scottish Chamber Orchestra, Luigi Boccherini | F Major | 0 | 7B | 70 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Scherzo No. 2 in C Minor, Op. 14 | Clara Schumann, Isata Kanneh-Mason | C Minor | 1 | 5A | 69 BPM | ||
Piano Sonata, Op. 47: III. Introduzione e Toccata | Wilhelm Kempff, Idil Biret | B♭ Major | 1 | 6B | 81 BPM |
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