"Requiem in E-Flat Major: Sanctus: Benedictus" by Johann David Heinichen, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max was released on January 1, 1998. With Requiem in E-Flat Major: Sanctus: Benedictus being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hermann Max's "Hasse, J.A.: Mass in D Minor / Heinichen, J.D.: Requiem in E-Flat Major" album is number 32 out of 36. On top of that, United States appears to be the country where this track was created. Requiem in E-Flat Major: Sanctus: Benedictus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in E-Flat Major: Sanctus: Benedictus by Johann David Heinichen, Mária Zádori, Lena Susanne Norin, Hans-Jörg Mammel, Klaus Mertens, Rheinische Kantorei, Das Kleine Konzert, Hermann Max to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Tafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: I. Largo | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Georg Faust, Rainer Kussmaul | G Major | 0 | 9B | 119 BPM | ||
Recorder Concerto in F Major: 2. Siciliano | Giuseppe Sammartini, Lucie Horsch, Academy of Ancient Music, Bojan Čičić | A♭ Minor | 1 | 1A | 105 BPM | ||
Florilegium II, Chaconne de la Suite IV « Impatientia » | Georg Muffat, Le Concert Des Nations, Jordi Savall | A Major | 2 | 11B | 138 BPM | ||
"Concerto comique" No.25 In G Minor "Les sauvages et La Furstemberg": 3. La Furstemberg - Allegro | Michel Corrette, Musica Antiqua Köln, Henk Bouman, Reinhard Goebel | F♯ Minor | 2 | 11A | 85 BPM | ||
Symphony in G Major, Op. 3 No. 1, WolS G2: II. Andante non adagio | Johann Stamitz, Musica Viva, Alexander Rudin | F♯ Major | 0 | 2B | 125 BPM | ||
Sinfonia | Alessandro Stradella, Le Banquet Céleste, Damien Guillon | D♭ Major | 2 | 3B | 120 BPM | ||
Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: Suite en Ré Majeur pour 2 trompettes, timbales, orchestre à cordes et basse continue: I. Ouverture | Georg Philipp Telemann, Akademie für Alte Musik Berlin | D♭ Major | 3 | 3B | 100 BPM | ||
Concerto in D major Seibel 226: 3. Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 1 | 3B | 116 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Concerto for Two Violins and Cello in G Minor, Op. 3, No. 2, RV 578a: III. Largo e spiccato | Antonio Vivaldi, Gli Incogniti, Amandine Beyer, Alba Roca, Flavio Losco, Marco Ceccato | B♭ Minor | 3 | 3A | 118 BPM |
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