Wim Statius Muller, Louise Bessette's 'Antillean Dances, Op. 2: No. 3. Tristeza, Waltz' came out on October 29, 2021. The duration of Antillean Dances, Op. 2: No. 3. Tristeza, Waltz is about 3 minutes long, at 3:09. Based on our data, "Antillean Dances, Op. 2: No. 3. Tristeza, Waltz" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wim Statius Muller: Antillean Dances – Port-of-call: Curaçao by Wim Statius Muller, Louise Bessette. The song's track number on the album is #3 out of 22 tracks. Antillean Dances, Op. 2: No. 3. Tristeza, Waltz is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Antillean Dances, Op. 2: No. 3. Tristeza, Waltz by Wim Statius Muller, Louise Bessette has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Antillean Dances, Op. 2: No. 3. Tristeza, Waltz being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
The music key of this track is B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Album for the Young (Album für die Jugend), Op. 68 [Book 2]: Kanonisches Liedchen (Song in Canon form), A minor | Robert Schumann, Alessandro Deljavan | A Minor | 0 | 8A | 82 BPM | ||
Keyboard Sonata in F Major, Wq. 51/5, H. 141, "Fortsetzung Sonata No. 5": II. Larghetto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | D Minor | 0 | 7A | 83 BPM | ||
11 Bagatelles, Op. 119: No. 4, Andante Cantabile | Ludwig van Beethoven, Irene Cantos | C Major | 1 | 8B | 68 BPM | ||
III. Fugue | Gabriel Fauré, Lucas Debargue | C Major | 0 | 8B | 69 BPM | ||
Mystery (Rosary) Sonata No. 16 in G Minor, The Guardian Angel: Passacaglia | Heinrich Ignaz Franz von Biber, Amandine Beyer | F♯ Minor | 1 | 11A | 72 BPM | ||
Consolation | Opus 2 | Wim Statius Muller | E♭ Minor | 0 | 2A | 66 BPM | ||
Petites Esquisses D’Oiseaux: III. Le Rouge Gorge | Louise Bessette, Olivier Messiaen | B♭ Minor | 1 | 3A | 135 BPM | ||
Las cuatro estaciones porteñas: I. Primavera porteño (Arr. for violin, cello and piano by José Bragato) | Astor Piazzolla, Louise Bessette, Marc Djokic, Chloé Dominguez | G Minor | 1 | 6A | 132 BPM | ||
20 Piezas fáciles: No. 9, Las mañanitas | Manuel Ponce, Alvaro Cendoya | A Major | 5 | 11B | 156 BPM | ||
La Vie en rouge | Anthony Rozankovic, Louise Bessette | C Major | 0 | 8B | 66 BPM |
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