Silvius Leopold Weiss, Alberto Crugnola made "Lute Sonata No. 51 in G Minor: III. Bourree" available on March 6, 2012. With this song being about 5 minutes long, at 5:27, "Lute Sonata No. 51 in G Minor: III. Bourree" by Silvius Leopold Weiss, Alberto Crugnola is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alberto Crugnola's "German Lute Music of the 18th Century" album is number 13 out of 95. Based on our statistics, Lute Sonata No. 51 in G Minor: III. Bourree's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Lute Sonata No. 51 in G Minor: III. Bourree by Silvius Leopold Weiss, Alberto Crugnola to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
Adieu mes Amours | Josquin des Prez, Los Angeles Guitar Quartet | D Minor | 1 | 7A | 73 BPM | ||
Lute Sonata in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Lutz Kirchhof | A Major | 2 | 11B | 96 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Sonata in C Minor: III. Allegretto | Bernhard Joachim Hagen, Lutz Kirchhof | B Minor | 1 | 10A | 149 BPM | ||
Sing Joyfully (Arr. Pierini for String Quartet) | William Byrd, Delian Quartett | D Major | 0 | 10B | 139 BPM | ||
Chaconne in D Major, WeissSW 2 No. 10 | Silvius Leopold Weiss, José Miguel Moreno | A Major | 1 | 11B | 143 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata No. 2 in D Major | Giovanni Battista Fontana, Daniele Caminiti, Marcin Świątkiewicz, Rachel Podger | D♭ Major | 1 | 3B | 127 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM |
Section: 0.8445334434509277
End: 0.8475992679595947