"Das Rheingold, Scene 2: Endlich, Loge!" by Richard Wagner, Josephine Veasey, Gerhard Stolze, Donald Grobe, Dietrich Fischer-Dieskau, Robert Kerns, Karl Ridderbusch, Martti Talvela, Berliner Philharmoniker, Herbert von Karajan was released on April 19, 2024. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Richard Wagner, Herbert von Karajan, Carl Maria von Weber, Anton Webern, Ermanno Wolf-Ferrari's "Karajan: Wagner - Wolf-Ferrari" album is number 15 out of 263. On top of that, Germany appears to be the country where this track was created. Das Rheingold, Scene 2: Endlich, Loge! is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Das Rheingold, Scene 2: Endlich, Loge! by Richard Wagner, Josephine Veasey, Gerhard Stolze, Donald Grobe, Dietrich Fischer-Dieskau, Robert Kerns, Karl Ridderbusch, Martti Talvela, Berliner Philharmoniker, Herbert von Karajan to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Der Freischütz, J. 277 / Act I: Walzer | Carl Maria von Weber, Staatskapelle Dresden, Carlos Kleiber | A Major | 4 | 11B | 182 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Sinfonia | Gioachino Rossini, Riccardo Chailly | E Major | 2 | 12B | 92 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Bizet: Carmen, WD 31, Act 1: "Attention! Chut! Attention! Taisons-nous!" (Moralès, Dragons) | Georges Bizet, Ludovic Tézier/Choeur 'Les Elements'/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Orchestre National Du Capitole De Toulouse | B♭ Major | 1 | 6B | 117 BPM | ||
Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): Sinfonia | Gioachino Rossini, Prague Sinfonia, Christian Benda | C Major | 2 | 8B | 148 BPM | ||
L'italiana in Algeri: Overture | Gioachino Rossini, Chamber Orchestra of Europe, Claudio Abbado | B♭ Major | 2 | 6B | 139 BPM |
Section: 0.8974566459655762
End: 0.9008617401123047