Auguste Franchomme, Camille Thomas's '12 Etudes for Cello, Op. 35: No. 7, Andante con moto' came out on June 9, 2023. With 12 Etudes for Cello, Op. 35: No. 7, Andante con moto being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "The Chopin Project : Trilogy". In this album, this song's track order is #8. Furthermore, we believe that the track originated from France. The popularity of 12 Etudes for Cello, Op. 35: No. 7, Andante con moto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Etudes for Cello, Op. 35: No. 7, Andante con moto by Auguste Franchomme, Camille Thomas having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sunset | Lionel Tertis, Timothy Ridout, Frank Dupree | C Major | 0 | 8B | 78 BPM | ||
Piano Trio No. 1 in B Major, Op. 8: III. Adagio | Johannes Brahms, Maria João Pires, Augustin Dumay, Jian Wang | B Major | 0 | 1B | 84 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Sarasate: Carmen Fantasy, Op. 25 (After Bizet): Introduction [Allegro moderato] | Pablo de Sarasate, Augustin Hadelich, Cristian Măcelaru, WDR Sinfonieorchester | A♭ Major | 1 | 4B | 150 BPM | ||
Dutilleux: Au gré des ondes: V. Hommage à Bach | Henri Dutilleux, Anne Queffélec | G Minor | 0 | 6A | 119 BPM | ||
Dvořák: From the Bohemian Forest, Op. 68: No. 5, Silent Woods, B. 182 (Version for Cello and Orchestra) | Antonín Dvořák, Jacqueline du Pré, Daniel Barenboim, Chicago Symphony Orchestra | D♭ Major | 1 | 3B | 125 BPM | ||
Siete Canciones Populares Españolas: No. 5, Nana - Arr. for Cello and Piano | Manuel de Falla, Fulvia Mancini, Benjamin Engeli | A Minor | 0 | 8A | 81 BPM | ||
12 Etudes for Cello, Op. 35: V. Allegretto | Auguste Franchomme, Roel Dieltiens, Ensemble Explorations | E Major | 1 | 12B | 83 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Ysaÿe: Rêve d’enfant, Op. 14 | Eugène Ysaÿe, Renaud Capuçon | B♭ Minor | 1 | 3A | 67 BPM |
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