- BPM
- 96
- Key
- B Minor
- Camelot
- 10A
Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2 - Steve Reich, POLIÇA, s t a r g a z e Information
- Acousticness
- 32%
- Danceability
- 80%
- Energy
- 53%
- Instrumentalness
- 92%
- Liveness
- 80%
- Loudness
- 80%
- Speechiness
- 7%
- Valence
- 6%
- Popularity
- 1%
- Loudness
- -11.753 dB
Summary
"Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2" by Steve Reich, POLIÇA, s t a r g a z e was released on June 16, 2017. With this song being about 5 minutes long, at 4:52, "Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2" by Steve Reich, POLIÇA, s t a r g a z e is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 3 in Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood by Steve Reich, POLIÇA, s t a r g a z e. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2 is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2 BPM
The tempo marking of Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2 by Steve Reich, POLIÇA, s t a r g a z e is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Bruise Blood: Reimagining Steve Reich's Music for Pieces of Wood, Pt. 2 Key
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Dorian Horizon for 17 Strings | Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra | B♭ Minor | 1 | 3A | 77 BPM | |
 | Wehrmut | Cluster, Eno | A Minor | 1 | 8A | 69 BPM | |
 | Forgotten Dreams #4 | Ernst Reijseger | G Major | 1 | 9B | 123 BPM | |
 | Étude 6 (Estudios Efímeros) | Claudio Constantini | E Minor | 3 | 9A | 77 BPM | |
 | Gambangan | Thomas Bartlett, Nico Muhly | F♯ Major | 3 | 2B | 80 BPM | |
 | Eon | Meredith Monk | A Minor | 1 | 8A | 157 BPM | |
 | Canticles of the Sky: I. Sky with Four Suns | John Luther Adams, Northwestern University Cello Ensemble, Hans Jørgen Jensen | G Major | 1 | 9B | 92 BPM | |
 | Fische | Karlheinz Stockhausen, Ricciarda Belgiojoso, Walter Prati | F Minor | 1 | 4A | 114 BPM | |
 | Cloud of Light | Masayoshi Fujita | D Major | 0 | 10B | 110 BPM | |
 | Slipstream | Jon Hassell | F♯ Minor | 5 | 11A | 82 BPM |
- ISRC
- GBKZV1700036
- Label
- L-M Records/RCA Records
Section: 0.5245420932769775
End: 0.5278503894805908