Clotilde Mollet made "Soudain la nuit lui paraît lourde" available on February 5, 2015. With Soudain la nuit lui paraît lourde being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 46 in the song's album "Une passion: "Et ils me cloueront sur le bois"". In this album, this song's track order is #7. Based on our statistics, Soudain la nuit lui paraît lourde's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Soudain la nuit lui paraît lourde by Clotilde Mollet having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sechs deutsche Lieder, Opus 41: Nr. 5 Der erste Kuss (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E Major | 1 | 12B | 113 BPM | ||
Lalayi (Tehrani) | Adamak Ensemble | G Major | 1 | 9B | 132 BPM | ||
Ahi! Amours | Conon de Béthune, Nigel Rogers, Early Music Consort Of London, David Munrow | E Minor | 1 | 9A | 81 BPM | ||
Comprendo l'inganno, Archivio di Montecassino, Fondo musicale, 6d - 11/42a, 42b, 42c - Tre canzonette per chitarra francese | Mazzola, Alessandro Minci, Tania Di Giorgio | F Major | 1 | 7B | 120 BPM | ||
Sábado Santo: Vespere Autem Sabbati. 4 v. m. - Remastered | Miguel Guerau, Coros De Radio Nacional De España, Alberto Blancafort | B♭ Major | 3 | 6B | 96 BPM | ||
Quid gloriaris in malitia (salmo 51) | Orfeón de Miravalles | C Minor | 1 | 5A | 78 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Aminta e Fillide, HWV 83: Aria. Se vago rio (Aminta) | George Frideric Handel, Contrasto Armonico, Marco Vitale, Klaartje van Veldhoven | C Major | 1 | 8B | 88 BPM | ||
Le Bourgeois Gentilhomme, LWV 43: Gavotte (1670) | Jean-Baptiste Lully, Jordi Savall, Le Concert Des Nations | B♭ Major | 3 | 6B | 75 BPM |
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