"Nabucco / Act 1: "Gli arredi festivi"" by Giuseppe Verdi, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2012. With this song being about 5 minutes long, at 5:02, "Nabucco / Act 1: "Gli arredi festivi"" by Giuseppe Verdi, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 40 in the song's album "Opera 2012". In this album, this song's track order is #15. Nabucco / Act 1: "Gli arredi festivi" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nabucco / Act 1: "Gli arredi festivi" by Giuseppe Verdi, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata, Act I: Si ridestra in ciel l'aurora | Giuseppe Verdi, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Biagio Pizzuti, Alexander Köpeczy, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | A♭ Major | 4 | 4B | 176 BPM | ||
Carmen: Act II: Couplets: Votre toast, je peux vous le rendre (Escamillo, Chorus, Carmen) | Georges Bizet, Giorgio Lamberti, Alan Titus, Graciela Alperyn, Doina Palade, Ann Liebeck, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Alexander Rahbari | E Minor | 1 | 9A | 73 BPM | ||
L'elisir d'Amor: Una furtiva lagrima | Carlo Bergonzi | F Minor | 3 | 4A | 63 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
La Traviata / Act 2: "Avrem lieta di maschere la notte" | Giuseppe Verdi, Stefania Malagu, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | G Major | 2 | 9B | 84 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
Nabucco / Act 3: Deh, perdona | Giuseppe Verdi, Piero Cappuccilli, Ghena Dimitrova, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | A♭ Major | 1 | 4B | 76 BPM | ||
La Gioconda / Act 3: Dance Of The Hours | Amilcare Ponchielli, Staatskapelle Dresden, Silvio Varviso | E Major | 0 | 12B | 138 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM |
Section: 0.6597967147827148
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