Johann Sebastian Bach, Eugen d'Albert, Peter Phillips's 'Well Tempered Clavier, Book I: Fugue No. 12, BWV 857 - Welte-Mignon 2965' came out on January 30, 2024. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "Rendezvous. Piano Revelations from the Golden Age". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. Based on our statistics, Well Tempered Clavier, Book I: Fugue No. 12, BWV 857 - Welte-Mignon 2965's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Well Tempered Clavier, Book I: Fugue No. 12, BWV 857 - Welte-Mignon 2965 by Johann Sebastian Bach, Eugen d'Albert, Peter Phillips having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37a: I. January. Au coin du feu. Moderato semplice ma espressivo | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | B Minor | 4 | 10A | 75 BPM | ||
Morceaux Caractéristiques, Op. 36: No. 24, Aux Champs - From Aeolian Roll | Anton Arensky, Manuel Ruiz Del Corral | B Minor | 0 | 10A | 77 BPM | ||
The Seasons, Op. 37a: VIII. August. La moisson. Allegro vivace | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | F Major | 1 | 7B | 118 BPM | ||
Sonatina in C Major, Op. 36 No. 3: II. Un poco adagio | Muzio Clementi, Howard Shelley | G Major | 0 | 9B | 131 BPM | ||
Violin Concerto No. 1 in A minor, BWV 1041: 3. Allegro assai | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | A Minor | 3 | 8A | 64 BPM | ||
Etudes, Op. 10: No. 3 in E Major, 'Tristesse' - Duo-Art 6524 | Frédéric Chopin, Peter Phillips, Alfred Cortot | E Major | 0 | 12B | 71 BPM | ||
3 Pieces, Op. 45: No. 1, Feuillet D'album | Alexander Scriabin, Juan Francisco Otón | G Minor | 0 | 6A | 59 BPM | ||
14 Bagatelles Sz. 38: No. 1 Molto Sostenuto | Béla Bartók, Irene Cantos | E Minor | 0 | 9A | 107 BPM | ||
Children's Album, Op. 19 (Excerpts): No. 1, March | Tatiana Nikolayeva, Hiroko Ishimoto | C Major | 1 | 8B | 128 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
Section: 0.569199800491333
End: 0.5724310874938965