- BPM
- 106
- Key
- D Minor
- Camelot
- 7A
Une Chatelaine En Sa Tour.. - Markus Klinko Information
- Acousticness
- 96%
- Danceability
- 32%
- Energy
- 8%
- Instrumentalness
- 85%
- Liveness
- 9%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 8%
- Popularity
- 0%
- Loudness
- -25.367 dB
Summary
"Une Chatelaine En Sa Tour.." by Markus Klinko was released on March 3, 2003. With this song being about 5 minutes long, at 4:47, "Une Chatelaine En Sa Tour.." by Markus Klinko is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 12 in French Harp Music by Markus Klinko. In terms of popularity, Une Chatelaine En Sa Tour.. is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Une Chatelaine En Sa Tour.. BPM
The tempo marking of Une Chatelaine En Sa Tour.. by Markus Klinko is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Une Chatelaine En Sa Tour.. Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): II. Adagio | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 1 | 11B | 72 BPM | |
 | 3 American Pieces (Version for Violin & Orchestra): No. 1, Early Song | Lukas Foss, Nikki Chooi, Buffalo Philharmonic Orchestra, Joann Falletta | A Minor | 1 | 8A | 147 BPM | |
 | Suite for Harp, Op. 83: IV. Fugue. Lively | Benjamin Britten, Magdalena Hoffmann | B♭ Major | 1 | 6B | 96 BPM | |
 | O Retorno | Natália Roschel, João Marcondes, Sonoras | A Minor | 1 | 8A | 176 BPM | |
 | チェロとギターのためのソナタ II. Adagio | ハダメス・ニャタリ, 宮田 大, Yasuji Ohagi | G Major | 1 | 9B | 130 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair this Spot (Arr. for Piano Trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | D Major | 0 | 10B | 132 BPM | |
 | Björkvik | Olivia Meyer | E Minor | 0 | 9A | 82 BPM | |
 | Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande - Arr. for Guitar by Anders Miolin | Johann Sebastian Bach, Anders Miolin | D Major | 1 | 10B | 85 BPM | |
 | Suo Gân (Arr. Evans for Harp) | Alis Huws | F Major | 0 | 7B | 88 BPM | |
 | Kinderszenen (Scenes of Childhood), Op. 15: No. 7. Traumerei (Dreaming) (arr. for flute and harp) | Anonymous, Robert Schumann, Janos Balint, Deborah Sipkai | F Major | 1 | 7B | 120 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6666843891143799
End: 0.6706154346466064