Fernando Sor, Enea Leone made "25 Progressive Lessons, Op. 60: IV. Progressive Lesson No. 4" available on August 8, 2014. With 25 Progressive Lessons, Op. 60: IV. Progressive Lesson No. 4 being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #76. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, 25 Progressive Lessons, Op. 60: IV. Progressive Lesson No. 4 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With 25 Progressive Lessons, Op. 60: IV. Progressive Lesson No. 4 by Fernando Sor, Enea Leone having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigaudon | Jean-Philippe Rameau, Sergio & Odair Assad | B Major | 2 | 1B | 108 BPM | ||
Carcassi op.60 n.2 moderato con espressivo | Matteo Carcassi, Lucio Matarazzo | A Minor | 5 | 8A | 105 BPM | ||
Serie Americana: Tonada | Hector Ayala, Victor Villadangos | A Major | 1 | 11B | 123 BPM | ||
Castillos de Espana II: No. 2. Manzanares el Real | Federico Moreno Torroba, Ana Vidovic | A Minor | 2 | 8A | 127 BPM | ||
Cançons Populars: El Testament d'Amèlia | Miguel Llobet Solés, Franz Halász | D Minor | 1 | 7A | 131 BPM | ||
12 Studies, Op. 29: No. 17 in C Major | Fernando Sor, Jeffrey McFadden | G Major | 1 | 9B | 135 BPM | ||
24 Exercises, Op. 35: No. 15, Allegretto | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Homenaje a Tarrega, Op. 69: Soleares | Joaquín Turina, Norbert Kraft | D Major | 1 | 10B | 107 BPM | ||
24 Exercises, Op. 35: No. 3, Larghetto | Fernando Sor, Enea Leone | C Major | 1 | 8B | 134 BPM | ||
Schwanengesang, D. 957: No. 1. Liebesbotschaft (Love's Messenger) (arr. J. K. Mertz) | Franz Schubert, Johann Kaspar Mertz, Gerald Garcia | G Major | 1 | 9B | 86 BPM |
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