"Senex Puerum portabat" by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera was released on June 22, 2010. The duration of Senex Puerum portabat is about 3 minutes long, at 3:00. Based on our data, "Senex Puerum portabat" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Victoria: Et Jesum, Motets for solo voice by Tomás Luis de Victoria, Carlos Mena, Juan Carlos Rivera, Francisco Rubio Gallego. The song's track number on the album is #5 out of 23 tracks. In terms of popularity, Senex Puerum portabat is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Senex Puerum portabat by Tomás Luis de Victoria, Carlos Mena, Francisco Rubio Gallego, Juan Carlos Rivera has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Senex Puerum portabat being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Burial Sentences: III. We Brought Nothing Into This World | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | F Minor | 0 | 4A | 88 BPM | ||
Missa super Benedicta es: Agnus Dei | Adrian Willaert, Capilla Flamenca, Patrick Denecker | C Major | 1 | 8B | 78 BPM | ||
Tallis: Hear the Voice and Prayer | The Tallis Scholars, Peter Phillips | F♯ Minor | 0 | 11A | 82 BPM | ||
Alleluia, I Heard a Voice | Thomas Weelkes, Consort Of Musicke, Anthony Rooley | B Major | 2 | 1B | 115 BPM | ||
Se mai provasti donna | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 128 BPM | ||
Duo Seraphim | Benedictines of Mary, Queen of Apostles | F♯ Major | 2 | 2B | 86 BPM | ||
Alma redemptoris mater | Johannes Ockeghem, Harmonia Recorder Ensemble | F Major | 0 | 7B | 70 BPM | ||
Our Father | Nikolay Kedrov, Conspirare, Craig Hella Johnson | C Major | 0 | 8B | 126 BPM | ||
Miserere a 9: No. 3, Quoniam iniquitatem - Tibi soli peccavi | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Liturgy of St. John Chrysostom: No. 7, Holy God | Benedict Sheehan, The Saint Tikhon Choir | C Major | 1 | 8B | 148 BPM |
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