"Messe de Requiem: Kyrie" by Sigismund Neukomm, Kusatsu Academy Chorus, Festival Brass Ensemble, Jörg Ewald Dähler, Fumiaki Kuriyama, Claudio Brizi, Edith Mathis was released on 1998. The duration of Messe de Requiem: Kyrie is about 3 minutes long, at 3:23. Based on our data, "Messe de Requiem: Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Neukomm: Messe de Requiem - Schubert: Offertorium". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Austria. Messe de Requiem: Kyrie is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe de Requiem: Kyrie by Sigismund Neukomm, Kusatsu Academy Chorus, Festival Brass Ensemble, Jörg Ewald Dähler, Fumiaki Kuriyama, Claudio Brizi, Edith Mathis having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romantic Pieces, Op.75, Allegro maestoso | アントニーン・ドヴォルザーク, KIM NAYOUNG | D Minor | 3 | 7A | 100 BPM | ||
Divertimento in F for String Ensemble, K.138: iii. Presto | Mozart, English Chamber Orchestra, David Blum | C Major | 1 | 8B | 76 BPM | ||
Missa solemnis in D Major, Op. 123: I. Kyrie: Kyrie eleison. Assai sostenuto | Ludwig van Beethoven, Jordi Savall, Le Concert Des Nations | D Major | 2 | 10B | 78 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
Hamburg Symphony No. 1 in G Major, Wq. 182: II. Poco adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Serenade in E Major, Op. 23, No. 6, G. 150: VIII. Presto assai | Giovanni Battista Viotti, Mario Carbotta, Carlo Balzaretti | G Major | 2 | 9B | 90 BPM | ||
Variation no. 12 | Classical Mirror | A Major | 1 | 11B | 67 BPM | ||
Nonet in E-Flat Major, NV 513 | Sigismund Neukomm, Kammerensemble Classic der Deutschen Oper Berlin | E♭ Major | 1 | 5B | 91 BPM | ||
交響曲 第31番 「パリ」 K.297~第2楽章 | リボル・ペシェック, Czech National Symphony Orchestra | D Major | 0 | 10B | 104 BPM | ||
Quintet for Piano & Winds in E-Flat Major, Op. 16: II. Andante cantabile | Ludwig van Beethoven, Vienna Wind Soloists, André Previn | B♭ Major | 0 | 6B | 68 BPM |
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