"In a Sentimental Mood - 1997 Remaster" by Sarah Vaughan, Malcolm Addey was released on March 11, 1997. With this song being around four minutes long, at 4:03, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 11 in After Hours by Sarah Vaughan. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of In a Sentimental Mood - 1997 Remaster is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of In a Sentimental Mood - 1997 Remaster by Sarah Vaughan, Malcolm Addey is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Remember Clifford | Art Farmer | E♭ Major | 1 | 5B | 123 BPM | ||
Green Eyes | Lou Donaldson | F Minor | 4 | 4A | 82 BPM | ||
In A Sentimental Mood | Art Tatum | E Major | 2 | 12B | 99 BPM | ||
The Very Thought Of You | Jeri Southern, Dave Barbour Trio | A♭ Major | 0 | 4B | 68 BPM | ||
The Thrill Is Gone | Dakota Staton | E Minor | 1 | 9A | 69 BPM | ||
Can't We Be Friends | Mildred Bailey | E♭ Major | 1 | 5B | 135 BPM | ||
I'd Know You Anywhere | Irene Kral | G Major | 4 | 9B | 75 BPM | ||
The Touch Of Your Lips | Dorothy Dandridge | G Major | 2 | 9B | 109 BPM | ||
Love Is Here to Stay | Harry Connick, Jr. | C Minor | 2 | 5A | 102 BPM | ||
You Don't Know What Love Is | Dakota Staton | B Minor | 1 | 10A | 117 BPM |
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