"Vom Krieg, der uns bedroht (Die Hugenotten)" by Friedrich Schorr was released on September 1, 2006. With this song being about 5 minutes long, at 4:34, "Vom Krieg, der uns bedroht (Die Hugenotten)" by Friedrich Schorr is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Friedrich Schorr's "Lebendige Vergangenheit - Friedrich Schorr" album is number 6 out of 16. In terms of popularity, Vom Krieg, der uns bedroht (Die Hugenotten) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vom Krieg, der uns bedroht (Die Hugenotten) by Friedrich Schorr to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Lohengrin, Act II Scene 2: Act II Scene 2: Euch Luften, die mein Klagen (Elsa, Ortrud, Teramund) | Richard Wagner, Emanuel List, Lauritz Melchior, Lotte Lehmann, Friedrich Schorr, Marjorie Lawrence, Julius Huehn, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, Artur Bodanzky | C Major | 3 | 8B | 75 BPM | ||
Salome, Op. 54 / Scene 3: "Wird dir nicht bange, Tochter der Herodias?" | Richard Strauss, Cheryl Studer, Bryn Terfel, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | G Major | 2 | 9B | 95 BPM | ||
Stabat Mater: Cujus animam gementem | Gioachino Rossini, Lawrence Brownlee, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
Don Carlo: "Per me guinto - O Carlo ascolta" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | A♭ Major | 2 | 4B | 79 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 3, Beim Schlafengehen | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D♭ Major | 1 | 3B | 90 BPM | ||
Gounod: Faust, Act 2: "Ainsi que la brise légère" (Chorus, Méphistophélès, Faust, Siebel) | Charles Gounod, Michel Plasson, José van Dam, Martine Mahé, Richard Leech, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Spontini: Agnes von Hohenstaufen: "Der Strom wälzt ruhig seine dunklen Wogen" (Heinrich) | Gaspare Spontini, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Ha, welch ein Augenblick (Fidelio) | Friedrich Schorr, New Symphony Orchestra | B♭ Major | 5 | 6B | 106 BPM | ||
Non piú andral (Produced) | Wolfgang Amadeus Mozart, Justino Diaz, Ettore Stratta | G Major | 3 | 9B | 128 BPM | ||
La fille du régiment / Act 1: Dès que l'appel sonne | Gaetano Donizetti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 126 BPM |
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