John Dowland, Julian Bream's 'Lachrimae Antiquae Pavan' came out on October 28, 2016. The duration of Lachrimae Antiquae Pavan is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Lachrimae Antiquae Pavan's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Julian Bream's "Lute Music – The Golden Age" album is number 17 out of 27. On top of that, United States appears to be the country where this track was created. Lachrimae Antiquae Pavan is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Lachrimae Antiquae Pavan by John Dowland, Julian Bream to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Terpsichore*: a. Volte b. Volte c. Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Major | 2 | 9B | 105 BPM | ||
Folias | Francesco Corbetta, Pierre Pitzl, Private Musicke | B Major | 0 | 1B | 115 BPM | ||
Terpsichore*: Volte | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 4 | 8B | 149 BPM | ||
Passemezzo for Lute & Bass Viol | Adrien Le Roy, Geneva Baroque Duo | B Major | 2 | 1B | 124 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Fantasia II | Luis de Milán, Shirley Rumsey | C Minor | 0 | 5A | 120 BPM | ||
Prophetiae Sibyllarum: Prologue | Orlande de Lassus, Vocalconsort Berlin, Daniel Reuss | G Major | 1 | 9B | 83 BPM | ||
Schiarazula Marazula (from ll primo libro de balli accomodati per cantar et sonar d'ogni sorte de instromenti) | Giorgio Mainerio, Dorothee Oberlinger | G Minor | 0 | 6A | 81 BPM | ||
Responsories for Maundy Thursday Nocturn 2: I. Amicus meus osculi me tradidit signa | Tomás Luis de Victoria, Tenebrae, Nigel Short | G Minor | 1 | 6A | 79 BPM |
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