On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek) - Leoš Janáček, Rudolf Firkusny Information

Acousticness: 98%
Danceability: 40%
Energy: 1%
Instrumentalness: 91%
Liveness: 9%
Loudness: 59%
Speechiness: 5%
Valence: 13%
Popularity: 9%
Loudness: -24.752 dB

Summary

"On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek)" by Leoš Janáček, Rudolf Firkusny was released on January 1, 1972. The duration of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leoš Janáček, Rudolf Firkusny, Members of the Bavarian Radio Symphony Orchestra, Rafael Kubelik's "Janácek: Piano Works" album is number 5 out of 31. On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek) BPM

We consider the tempo marking of On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek) by Leoš Janáček, Rudolf Firkusny to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

On An Overgrown Path (Po zarostlém chodnicku), JW 8/17 / Book 1: 4. Frydecká Panna Maria (The Madonna of Frydek) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée	Georges Bizet, Katia Labèque, Marielle Labèque	B Major	0	1B	64 BPM
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro	Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis	C Major	4	8B	150 BPM
Lieder ohne Worte, Op.30: No. 6. Allegretto In F Sharp Minor, MWV U 110 - "Venetian Gondola Song"	Felix Mendelssohn, Daniel Barenboim	F♯ Minor	0	11A	169 BPM
Dolly Suite, Op. 56: III. Le Jardin de Dolly	Gabriel Fauré, Katia Labèque, Marielle Labèque	D♭ Minor	0	12A	60 BPM
Waltz in F Minor	Vladimir Horowitz, Valery Kuleshov	B♭ Minor	0	3A	69 BPM
Piano Concerto in C-Sharp Minor, FP 146: I. Allegretto commodo - Live	Francis Poulenc, Yannick Nézet-Séguin, London Philharmonic Orchestra, Alexandre Tharaud	A♭ Major	1	4B	135 BPM
Prelude In A Minor Op. 32 No. 8	Vladimir Horowitz	F Major	1	7B	59 BPM
Mazurka in C Minor	Mikhail Glinka, Inga Fiolia	C Minor	0	5A	106 BPM
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major	Clara Schumann, Jozef De Beenhouwer	B♭ Major	0	6B	100 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7408311367034912

End: 0.7459807395935059