Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel's 'Tafelmusik - Banquet Music In 3 Parts / Production 3 - 6. Conclusion In B Flat Major, TWV53:A2: Furioso' came out on January 1, 1989. With Tafelmusik - Banquet Music In 3 Parts / Production 3 - 6. Conclusion In B Flat Major, TWV53:A2: Furioso being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 70 in the song's album "Telemann: Banquet Music in three Parts". In this album, this song's track order is #25. Furthermore, we believe that the track originated from Germany. In terms of popularity, Tafelmusik - Banquet Music In 3 Parts / Production 3 - 6. Conclusion In B Flat Major, TWV53:A2: Furioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tafelmusik - Banquet Music In 3 Parts / Production 3 - 6. Conclusion In B Flat Major, TWV53:A2: Furioso by Georg Philipp Telemann, Musica Antiqua Köln, Reinhard Goebel having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 5 In D Major, BWV 1050: 2. Affettuoso | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | B♭ Minor | 0 | 3A | 142 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VI. Prelude | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 1 | 10B | 103 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : V. Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Daniela Ruso, Ludovit Kanta, Capella Istropolitana | C Minor | 2 | 5A | 79 BPM | ||
Hertel: Trumpet Concerto No. 1 in E-Flat Major: III. Vivace | Johann Wilhelm Hertel, Maurice André, Sir Charles Mackerras, English Chamber Orchestra | E♭ Major | 2 | 5B | 148 BPM | ||
Concerto XVI In Fa Maggiore, Per Due Oboi, Archi E Continuo: I. Allegro | Alessandro Marcello, Venice Baroque Orchestra | B Major | 1 | 1B | 138 BPM | ||
Concerto grosso in C Minor, Op. 2, No. 1: I. Andante | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 108 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 5. Vivace | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 110 BPM | ||
Oboe Quartet in D Minor: I. Poco allegro | Johann Friedrich Fasch, Epoca Barocca | D♭ Minor | 2 | 12A | 101 BPM | ||
Violin Sonata in E-Flat Major: I. Allegretto | Franz Benda, Georg Kallweit, Berlin Baroque Compagney | D Major | 0 | 10B | 78 BPM |
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