Mario Castelnuovo-Tedesco, Kazuhito Yamashita's 'Escarraman (after Cervantes), Op. 177 : VI. La Guarda Cuydadosa' came out on 2001. The duration of Escarraman (after Cervantes), Op. 177 : VI. La Guarda Cuydadosa is about 3 minutes long, at 3:11. Based on our data, "Escarraman (after Cervantes), Op. 177 : VI. La Guarda Cuydadosa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Kazuhito Yamashita's "Mario Castelnuovo-Tedesco / Works for Guitar Solo Vol.1" album is number 8 out of 8. Escarraman (after Cervantes), Op. 177 : VI. La Guarda Cuydadosa is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Escarraman (after Cervantes), Op. 177 : VI. La Guarda Cuydadosa by Mario Castelnuovo-Tedesco, Kazuhito Yamashita to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Reverie on a Javanese Folk-Song - 1990-98 | Zoran Dukic | A Minor | 1 | 8A | 85 BPM | ||
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
36 Caprices, Op. 20: VII. Prestissimo | Luigi Legnani, Pavel Steidl | A Major | 2 | 11B | 136 BPM | ||
Bardenklänge, Op. 13: Unruhe (Restlessness) | Johann Kaspar Mertz, Johannes Möller, Laura Fraticelli | C Minor | 1 | 5A | 112 BPM | ||
Preludio | Isaac Albéniz, David Russell | G Minor | 1 | 6A | 112 BPM | ||
Suite espagnole, Op. 47: VI. Aragón | Isaac Albéniz, Thibault Cauvin | F Major | 2 | 7B | 169 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: Song without Words, Op. 19, No. 6, Venetian Boat Song I | Felix Mendelssohn, Gerald Garcia | D Minor | 0 | 7A | 133 BPM | ||
Suite Venezolano: I Registro (Preludio) | Antonio Lauro, Adam Holzman | G Major | 1 | 9B | 98 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 1 in G Minor | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | G Minor | 1 | 6A | 140 BPM | ||
Choros no. 1 | Alvaro Pierri | C Major | 2 | 8B | 78 BPM |
Section: 0.6283230781555176
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