hiro made "Eternal Place" available on August 7, 2002. Eternal Place is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Naked and True". In this album, this song's track order is #10. Furthermore, we believe that the track originated from Japan. In terms of popularity, Eternal Place is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Eternal Place by hiro having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
all night long Single Mix | Ami Suzuki | B♭ Minor | 9 | 3A | 140 BPM | ||
想い出にできなくて | Mayo Okamoto | G Major | 7 | 9B | 150 BPM | ||
さよなら大好きな人 | hana*hana | B♭ Major | 6 | 6B | 152 BPM | ||
北風と太陽 | YeLLOW Generation | G Major | 9 | 9B | 132 BPM | ||
sepia | shela | E Major | 9 | 12B | 94 BPM | ||
a picture on my mind | globe | G Minor | 6 | 6A | 170 BPM | ||
True & Blue (1997~1999) | shela | F Minor | 5 | 4A | 78 BPM | ||
YELLOW YELLOW HAPPY | Pocket Biscuits | E Major | 10 | 12B | 146 BPM | ||
Day After Day | hiro | F♯ Minor | 7 | 11A | 101 BPM | ||
冷たくしないで | Eriko with Crunch | D♭ Minor | 9 | 12A | 143 BPM |
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