"Piano Sonata No. 12 in F Major, K. 332: 2. Adagio" by Wolfgang Amadeus Mozart, Mitsuko Uchida was released on January 1, 1984. With this song being about 5 minutes long, at 5:01, "Piano Sonata No. 12 in F Major, K. 332: 2. Adagio" by Wolfgang Amadeus Mozart, Mitsuko Uchida is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlos Moerdijk, Emmy Verhey, Wolfgang Amadeus Mozart, Mitsuko Uchida's "Mozart: Piano Sonatas Nos. 11 & 12/Fantasia in D minor" album is number 5 out of 7. On top of that, Netherlands appears to be the country where this track was created. Piano Sonata No. 12 in F Major, K. 332: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Sonata No. 12 in F Major, K. 332: 2. Adagio by Wolfgang Amadeus Mozart, Mitsuko Uchida to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Partita No. 1 in B-Flat Major, BWV 825: V. Menuet I & II | Johann Sebastian Bach, Murray Perahia | B♭ Major | 1 | 6B | 145 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 2, Melancholy. Allegretto | Bedřich Smetana, Jitka Čechová | A♭ Minor | 0 | 1A | 173 BPM | ||
Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace | Friedrich Kalkbrenner, Hans Kann, Hamburg Symphony Orchestra, Heribert Beissel | D Minor | 1 | 7A | 131 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Piano Sonata No. 10 in C Major, K. 330: I. Allegro moderato | Wolfgang Amadeus Mozart, Maria João Pires | C Major | 0 | 8B | 72 BPM | ||
Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Jiří Válek, Hana Mullerova, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 111 BPM | ||
Piano Sonata No. 13 in A, D664: 2. Andante | Franz Schubert, Mitsuko Uchida | D Major | 0 | 10B | 127 BPM |
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