Arthur Sullivan, Joyce Wright, Mary Sansom, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey's '9. Thank you gallant gondolieri' came out on January 1, 1961. The duration of 9. Thank you gallant gondolieri is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. 9. Thank you gallant gondolieri's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, The New Symphony Orchestra Of London, Isidore Godfrey's "Gilbert & Sullivan: The Gondoliers" album is number 10 out of 48. On top of that, United Kingdom appears to be the country where this track was created. 9. Thank you gallant gondolieri is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 9. Thank you gallant gondolieri by Arthur Sullivan, Joyce Wright, Mary Sansom, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Magic Flute, Act I: I'm sure that there could never be | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Simon Keenlyside, Barry Banks, Majella Cullagh, Sarah Fox, Diana Montague | E♭ Major | 2 | 5B | 131 BPM | ||
Let us garlands bring, Op. 18: Come away, come away, death | Gerald Finzi, Roderick Williams, Iain Burnside | D Major | 0 | 10B | 142 BPM | ||
H.M.S. Pinafore, Act II: He Is an Englishman | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 59 BPM | ||
La Bohème: "O soave fanciulla" | Giacomo Puccini, Nellie Melba, Enrico Caruso, Unknown Orchestra | C Major | 1 | 8B | 82 BPM | ||
Die Nacht, Op.10, No.3 | Richard Strauss, Barbara Bonney, Malcolm Martineau | D Major | 0 | 10B | 174 BPM | ||
Ruddigore (or, The Witch's Curse) (1987 - Remaster), Act I: Hold, bride and bridegroom (Sir Despard, Rose, Robin, Zorah, Richard, Margaret, Chorus) | Arthur Sullivan, Owen Brannigan/Elsie Morison/George Baker/Elizabeth Harwood/Richard Lewis/Pamela Bowden/Glyndebourne Chorus/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | G Major | 1 | 9B | 68 BPM | ||
Ya Vas Lyubil | Dmitri Hvorostovsky | G Major | 1 | 9B | 85 BPM | ||
Lord Peter's Stable-Boy | Percy Grainger, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 78 BPM | ||
H.M.S. Pinafore, Act I: We Sail the Ocean Blue | Gilbert & Sullivan Society of Houston | G Major | 3 | 9B | 105 BPM | ||
Faust: Faust, Act I: Avant de quitter ces lieux | Charles Gounod, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | E♭ Major | 3 | 5B | 86 BPM |
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