Mario Castelnuovo-Tedesco, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra's 'Castelnuovo-Tedesco: Violin Concerto No. 2, Op. 66, "I profeti": III. Elijah - Fiero e impetuoso' came out on August 28, 2015. Since Castelnuovo-Tedesco: Violin Concerto No. 2, Op. 66, "I profeti": III. Elijah - Fiero e impetuoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 6 in Castelnuovo-Tedesco & Ben-Haim: Violin Concertos by Itzhak Perlman. In terms of popularity, Castelnuovo-Tedesco: Violin Concerto No. 2, Op. 66, "I profeti": III. Elijah - Fiero e impetuoso is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Castelnuovo-Tedesco: Violin Concerto No. 2, Op. 66, "I profeti": III. Elijah - Fiero e impetuoso by Mario Castelnuovo-Tedesco, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 104 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Estudio No. 19 In B Flat Major | Fernando Sor, Christopher Parkening | B♭ Major | 1 | 6B | 140 BPM | ||
Alfonsina y el mar (Arr. R. Dyens for Guitar) | Ariel Ramírez, Raphaël Feuillâtre | E Minor | 0 | 9A | 78 BPM | ||
Suite populaire Brésilienne, W020: III. Valsa-chôro | Heitor Villa-Lobos, Mickael Viegas | E Minor | 1 | 9A | 101 BPM | ||
36 Caprices, Op. 20: IX. Largo | Luigi Legnani, Pavel Steidl | E Minor | 1 | 9A | 78 BPM | ||
Sonata K 40 | Domenico Scarlatti, Abel Carlevaro | A Major | 2 | 11B | 138 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 2. Tal para qual (Two of a kind) | Mario Castelnuovo-Tedesco, Zoran Dukic | D Minor | 1 | 7A | 127 BPM | ||
Sonate, Op. 61: I. allegro | Joaquín Turina, Sebastien Llinares | D Major | 1 | 10B | 73 BPM | ||
El Testament d'Amèlia | Carles Trepat | D Minor | 0 | 7A | 115 BPM | ||
Concerto for 4 Violins in G Major, TWV 40:201 (arr. B. Kanengiser, S. Tennant, A. York and J. Dearman): II. Allegro | Georg Philipp Telemann, Andrew York, Scott Tennant, John Dearman, Bill Kanengiser, Los Angeles Guitar Quartet | A Major | 1 | 11B | 62 BPM | ||
Julia Florida: Barcarola | Jason Vieaux | D Major | 0 | 10B | 73 BPM |
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