Jascha Heifetz, Ludwig van Beethoven, Emmanuel Bay made "12 German Dances, WoO 8: No. 6 in G Major (arr. J. Heifetz for violin and piano)" available on January 1, 1940. The duration of 12 German Dances, WoO 8: No. 6 in G Major (arr. J. Heifetz for violin and piano) is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. 12 German Dances, WoO 8: No. 6 in G Major (arr. J. Heifetz for violin and piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jascha Heifetz's "Heifetz: Encores, Vol. 2 (1946-1947)" album is number 17 out of 22. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, 12 German Dances, WoO 8: No. 6 in G Major (arr. J. Heifetz for violin and piano) is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of 12 German Dances, WoO 8: No. 6 in G Major (arr. J. Heifetz for violin and piano) by Jascha Heifetz, Ludwig van Beethoven, Emmanuel Bay to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Erlkönig, S.558 No. 4 (after Schubert D.328) | Franz Liszt, Valentina Lisitsa | G Minor | 2 | 6A | 66 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Waltz | Pyotr Ilyich Tchaikovsky, Jascha Heifetz | G Major | 1 | 9B | 105 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Where My Caravan Has Rested | Hermann Lohr, Jascha Heifetz, Bing Crosby, Victor Young Orchestra, Victor Young | F Major | 3 | 7B | 103 BPM | ||
Zigeunerweisen, Op.20 | Pablo de Sarasate, Joshua Bell, Royal Philharmonic Orchestra, Andrew Litton | G Minor | 1 | 6A | 81 BPM | ||
Old Folks At Home (Arr. Jascha Heifetz) | Stephen Collins Foster, Jascha Heifetz, Milton Kaye | B♭ Major | 2 | 6B | 81 BPM |
Section: 0.6850264072418213
End: 0.6929876804351807