Antonio Vivaldi, Catherine Wyn-Rogers, The English Concert, Trevor Pinnock made "Gloria in D, R.589: Allegro: Qui sedes ad dexteram patris" available on June 7, 2021. The duration of Gloria in D, R.589: Allegro: Qui sedes ad dexteram patris is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Gloria in D, R.589: Allegro: Qui sedes ad dexteram patris's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi: Classical Summer by Antonio Vivaldi. The song's track number on the album is #26 out of 172 tracks. In terms of popularity, Gloria in D, R.589: Allegro: Qui sedes ad dexteram patris is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Gloria in D, R.589: Allegro: Qui sedes ad dexteram patris by Antonio Vivaldi, Catherine Wyn-Rogers, The English Concert, Trevor Pinnock has a tempo of 97 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Gloria in D, R.589: Allegro: Qui sedes ad dexteram patris being at 97 BPM, the half-time would be 48 BPM with a double-time of 194 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Concerto in B Minor, RV 580: 1. Allegro - Live | Antonio Vivaldi, Zubin Mehta, Israel Philharmonic Orchestra, Isaac Stern, Ivry Gitlis, Ida Haendel, Shlomo Mintz | B Minor | 2 | 10A | 105 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM | ||
Divertimento in D major, K. 136: 1. Allegro | Wolfgang Amadeus Mozart, I Musici | D Major | 3 | 10B | 132 BPM | ||
Concerto grosso in D Minor, RV 566: III. Allegro | Antonio Vivaldi, Leo Driehuys, Ad Mater, I Musici, Unknown Artist | D Minor | 2 | 7A | 95 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : IV. Allegro | Arcangelo Corelli, Anna Holbling, Daniela Ruso, Quido Holbling, Ludovit Kanta, Capella Istropolitana | D Major | 3 | 10B | 129 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: I. Allegro e non presto | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 2 | 7A | 145 BPM | ||
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM |
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