Hermann Prey's 'Und Da Soll Man Noch Galant Sein..Ach Ich Hab'sie' came out on 2003. With this song being about 5 minutes long, at 4:40, "Und Da Soll Man Noch Galant Sein..Ach Ich Hab'sie" by Hermann Prey is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "Great Moments Of Hermann Prey" album is number 17 out of 68. In terms of popularity, Und Da Soll Man Noch Galant Sein..Ach Ich Hab'sie is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Und Da Soll Man Noch Galant Sein..Ach Ich Hab'sie by Hermann Prey to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Königskinder: Verdorben! Gestorben! | Hermann Prey | E♭ Major | 3 | 5B | 57 BPM | ||
Als die Römer frech geworden | Ludwig Teichgraeber, Hermann Prey, Fried Walter, Orchestra | G Major | 1 | 9B | 78 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Trinklied, WoO 109 | Ludwig van Beethoven, Hermann Prey, Leonard Hokanson | E♭ Major | 1 | 5B | 87 BPM | ||
Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Madama Butterfly, SC 74 / Act 2: Addio fiorito asil | Giacomo Puccini, Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni | B Minor | 2 | 10A | 89 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
Die Fledermaus / Act 1: Nr.1a (Duettino): "Ach, ich darf nicht hin zu dir!" | Johann Strauss II, Lucia Popp, Julia Varady, Bavarian State Orchestra, Carlos Kleiber | D Minor | 1 | 7A | 51 BPM | ||
Rossini: Petite messe solennelle: II. Gloria, 4. Domine Deus (Tenor). Allegro giusto | Gioachino Rossini, Antonio Pappano | F Major | 1 | 7B | 81 BPM |
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