On January 1, 2006, the song "Poland" was released by Vienna State Opera Orchestra. With Poland being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 28 in the song's album "National Anthems Of The World". In this album, this song's track order is #25. In terms of popularity, Poland is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Poland by Vienna State Opera Orchestra having a BPM of 113 with a half-time of 56 BPM and a double-time of 226 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
Don Carlo*: 'Spuntato ecco il di d'esultanza' | Giuseppe Verdi, Marian Vach, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | E♭ Major | 2 | 5B | 170 BPM | ||
Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
Lestocq, ou l'intrigue et l'amour, S. 24 (Excerpts): Act II Entr'acte | Daniel Auber, Moravian Philharmonic Orchestra, Dario Salvi | C Minor | 3 | 5A | 110 BPM | ||
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
Eugene Onegin, Op. 24, TH 5, Act I: Act I Scene 3: Dyevitsi, krasavitsi (Chorus) | Pyotr Ilyich Tchaikovsky, Vienna State Opera Chorus, Vienna State Opera Orchestra, Seiji Ozawa | E Minor | 1 | 9A | 76 BPM | ||
The Bartered Bride: ACT III, Skočná | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | C Major | 2 | 8B | 75 BPM | ||
Symphony No. 1 in E Minor, Op. 1: I. Largo assai - Allegro | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Major | 5 | 11B | 83 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
L'Estro Armonico, Op. 3, Concerto No. 2 in G Minor for two violins, cello and strings, RV578: iii. Larghetto | Vivaldi, Jan Tomasow, Vienna State Opera Orchestra, Richard Harand, Mario Rossi, Herman Nordberg, Willi Boskovsky | G Major | 4 | 9B | 96 BPM |
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