On April 11, 2023, the song "Whene'er I Spoke" was released by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus. With This song being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of When I Was A Lad by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus. The song's track number on the album is #9 out of 16 tracks. Based on our data, Italy was the country where this track was produced or recorded. Based on our statistics, Whene'er I Spoke's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Whene'er I Spoke by Sir Arthur Sullivan, William Schwenck Gilbert, Martyn Green, Lehman Engel, Columbia Operetta Chorus has a tempo of 141 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Whene'er I Spoke being at 141 BPM, the half-time would be 70 BPM with a double-time of 282 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: Introit: Requiem aeternam - Kyrie (Solo Quartet, Chorus) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | C Minor | 1 | 5A | 167 BPM | ||
Ruddigore: Finale: "When a man has been" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | C Minor | 2 | 5A | 137 BPM | ||
Traditional / Arr. Moore: Blow the Wind Southerly (Live) | Traditional, Gerald Moore, Victoria de los Ángeles | G Major | 2 | 9B | 74 BPM | ||
Ruddigore: Dialogue: "This is a painful state" | Sir Arthur Sullivan, Arthur Sullivan, Ohio Light Opera, Michael Borowitz | D♭ Major | 0 | 3B | 102 BPM | ||
Gonoud : Faust : Act 1 "Merci de ta chanson!" [Chorus, Valentin, Wagner, Méphistophélès, Siébel] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | B♭ Major | 1 | 6B | 167 BPM | ||
Scots Song | Charlotte Hoather | D Major | 0 | 10B | 66 BPM | ||
The Magic Flute, Act I: Don't be afraid, now hear my song | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks | F Major | 2 | 7B | 130 BPM | ||
Haugtussa, Op. 67: I. Det syng | Charlotte Hoather, George Todica | D Minor | 2 | 7A | 85 BPM | ||
Die Fledermaus: Act II: Finale: Herr Chevalier, ich grusse Sie (Eisenstein, Frank) | Johann Strauss II, Paul Armin Edelmann, Sebastian Holecek, Cologne West German Radio Orchestra, Friedrich Haider | A♭ Major | 1 | 4B | 69 BPM | ||
Trad / Arr Copland : Old American Songs Set 1 : IV Simple Gifts | Anonymous, Hugh Wolf, Hugh Wolff, Saint Paul Chamber Orchestra | F Minor | 1 | 4A | 81 BPM |