"Piano Concerto No. 23 in A Major, K. 488: II. Adagio" by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra was released on 1976. Since Piano Concerto No. 23 in A Major, K. 488: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Murray Perahia's "Mozart: The Complete Piano Concertos" album is number 2 out of 83. On top of that, United States appears to be the country where this track was created. Piano Concerto No. 23 in A Major, K. 488: II. Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 23 in A Major, K. 488: II. Adagio by Wolfgang Amadeus Mozart, Murray Perahia, English Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gigues en rondeau I & II | Jean-Philippe Rameau, Víkingur Ólafsson | E Major | 1 | 12B | 128 BPM | ||
Sonata for 2 Pianos in D Major, K.448/375a: II. Andante | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu | E Minor | 7 | 9A | 140 BPM | ||
Capriccio in B Minor, Op. 76, No. 2 | Johannes Brahms, Arcadi Volodos | B Major | 1 | 1B | 84 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
O ma belle rebelle | Charles Gounod, Christian-Pierre La Marca | E Minor | 0 | 9A | 80 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | ||
Quintet No.4 for Guitar and Strings in D G.448 - "Fandango": 3. Grave assai - 4. Fandango | Luigi Boccherini, Narciso Yepes, Melos Quartet, Lucero Tena | D Major | 2 | 10B | 115 BPM | ||
Shostakovich: Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Elisabeth Leonskaja, Hugh Wolff, Saint Paul Chamber Orchestra | G Major | 0 | 9B | 62 BPM |
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