Robert Schumann, Martha Argerich's 'Schumann: Kinderszenen, Op. 15: No. 11, Fürchtenmachen' came out on June 2, 2010. With Schumann: Kinderszenen, Op. 15: No. 11, Fürchtenmachen being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Schumann Scènes D'enfants". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Schumann: Kinderszenen, Op. 15: No. 11, Fürchtenmachen's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Kinderszenen, Op. 15: No. 11, Fürchtenmachen by Robert Schumann, Martha Argerich having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata in B Minor, S. 178: Andante sostenuto | Franz Liszt, Martha Argerich | F♯ Major | 0 | 2B | 73 BPM | ||
24 Preludes & Fugues, Op. 87: No. 21a, Prelude in B-Flat Major | Dmitri Shostakovich, Tatiana Nikolayeva | B♭ Major | 1 | 6B | 148 BPM | ||
Nocturne No. 13 in D Minor | John Field, Benjamin Frith | F Major | 1 | 7B | 69 BPM | ||
Schumann: Bunte Blätter, Op. 99: No. 1, Stücklein I | Robert Schumann, Maria João Pires | B Minor | 1 | 10A | 106 BPM | ||
Ravel: Ma mère l'Oye, M. 60: V. Le jardin féerique (Live) | Maurice Ravel, Martha Argerich, Alexander Mogilevsky | C Major | 1 | 8B | 65 BPM | ||
48 Esquisses, Op. 63, Book 3: No. 31, Début de quatuor | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
24 Preludes, Op. 34: No. 7 in A Major. Andante | Dmitri Shostakovich, Tatiana Nikolayeva | E Major | 0 | 12B | 129 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 3 in D Minor | Sergei Rachmaninoff, Nikolai Lugansky | B♭ Major | 1 | 6B | 79 BPM | ||
6 Favoritwalzer: No. 1, J. 143 | Carl Maria von Weber, Michael Endres | D Major | 1 | 10B | 126 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
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