Jonas Kaufmann made "Por una Cabeza (From "Scent of a Woman")" available on September 15, 2023. The duration of Por una Cabeza (From "Scent of a Woman") is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Por una Cabeza (From "Scent of a Woman")'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "The Sound of Movies". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United States. In terms of popularity, Por una Cabeza (From "Scent of a Woman") is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Por una Cabeza (From "Scent of a Woman") by Jonas Kaufmann having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La via | Dmitri Hvorostovsky | F Minor | 7 | 4A | 134 BPM | ||
Mi par d'udire ancora (I Pescatori di Perle) | Giuseppe Di Stefano, Eduardo Moser | G Minor | 2 | 6A | 81 BPM | ||
Tosca / Act II: "Vissi d'arte, vissi d'amore" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E♭ Major | 1 | 5B | 82 BPM | ||
Tiomnaia Noch (Dark is the Night) | Evgeny Stetsyuk, Nikita Bogoslovsky, Dmitri Hvorostovsky, Spiritual Revival Choir of Russia, Style of Five, Moscow Chamber Orchestra, Constantine Orbelian | A Minor | 2 | 8A | 126 BPM | ||
Verdi: La Traviata, Act 3 Scene 4: No. 8, Aria "Addio del passato bei sogni ridenti" | Giuseppe Verdi, Maria Callas, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa | A Major | 1 | 11B | 76 BPM | ||
Il suono dei passi | Andrea Guerra | A Minor | 1 | 8A | 102 BPM | ||
Canzonetta semplice | Dmitri Hvorostovsky | F Major | 4 | 7B | 88 BPM | ||
Verdi: Otello: Atto Terzo: Dio! mi potevi scagliar tutti i mali | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 79 BPM | ||
Giacomo Puccini: Madame Butterfly - Summchor | Chor der Staatsoper Wien, Vienna Volksoper Orchestra, Wilhelm Loibner | B♭ Major | 0 | 6B | 85 BPM | ||
Wiener Blut, Wiener Blut (From "Wienerblut") | Johann Strauss II, Jonas Kaufmann, Rachel Willis-Sørensen, Ádám Fischer | C Major | 2 | 8B | 84 BPM |
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