"Arma: Suite paysanne hongroise, Op. 153: I. Chants populaires tristes (After Bartók's Peasant Songs, Sz. 71)" by Paul Arma, Jean-Pierre Rampal, Robert Veyron-Lacroix was released on January 7, 2022. With this song being about 5 minutes long, at 5:27, "Arma: Suite paysanne hongroise, Op. 153: I. Chants populaires tristes (After Bartók's Peasant Songs, Sz. 71)" by Paul Arma, Jean-Pierre Rampal, Robert Veyron-Lacroix is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 57 in the song's album "The Flute Master". In this album, this song's track order is #35. Furthermore, we believe that the track originated from United Kingdom. Arma: Suite paysanne hongroise, Op. 153: I. Chants populaires tristes (After Bartók's Peasant Songs, Sz. 71) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Arma: Suite paysanne hongroise, Op. 153: I. Chants populaires tristes (After Bartók's Peasant Songs, Sz. 71) by Paul Arma, Jean-Pierre Rampal, Robert Veyron-Lacroix having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Primer Acte: Obertura | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | B♭ Major | 2 | 6B | 122 BPM | ||
classical type beat | Silio Dussud, Walis | E Minor | 0 | 9A | 114 BPM | ||
Marshall Islands | Amata Kabua, Košice Slovak State Philharmonic Orchestra, Peter Breiner | C Major | 2 | 8B | 109 BPM | ||
Pas De Charge De La Marine Impériale | Fanfare Principale De L'Armée Blindée Cavalerie | A♭ Major | 7 | 4B | 146 BPM | ||
Azur | Francois Fortin | B♭ Minor | 0 | 3A | 101 BPM | ||
Sur les flots lointains, Op. 130 | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | D Major | 2 | 10B | 126 BPM | ||
Amphigouri & La prise de la Bastille | Anonymous, Les Lunaisiens, Jean-François Novelli, Hugues Primard, Arnaud Ledu, Mélanie Flahaut, Joël Grare | G Major | 5 | 9B | 78 BPM | ||
Petite Suite Française: I. Prélude | Richard Galliano, South Czech Philharmonic, Miran Vaupotic | C Major | 1 | 8B | 115 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
(الموسيقى الآلاتية) PS - دولة فلسطين - فدائي - بلادي - النشيد الوطني | أوركسترا الإخوان | D Minor | 4 | 7A | 116 BPM |
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