Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo's 'Chansons russes (Canciones rusas), Op. 49 (version for violin and orchestra)' came out on October 26, 2010. Since Chansons russes (Canciones rusas), Op. 49 (version for violin and orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Sarasate: Music for Violin and Orchestra, Vol. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Chansons russes (Canciones rusas), Op. 49 (version for violin and orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chansons russes (Canciones rusas), Op. 49 (version for violin and orchestra) by Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Les Adieux, Op. 9 (La Despedida) - Remastered | Pablo Martin Meliton Sarasate, Pablo de Sarasate | B♭ Major | 1 | 6B | 76 BPM | ||
Concertino for Clarinet and Orchestra in E-Flat, Op. 26: Allegro | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | E♭ Major | 1 | 5B | 157 BPM | ||
24 Caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
Violin Concerto in D Minor, Op.47 (1985 - Remaster): II. Adagio di molto | Jean Sibelius, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | B♭ Major | 1 | 6B | 87 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno | Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu | B Minor | 1 | 10A | 119 BPM | ||
Serenade for Strings in E, Op.22: 1. Moderato | Antonín Dvořák, Wiener Philharmoniker, Myung-Whun Chung | E Major | 1 | 12B | 86 BPM |
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