- BPM
- 111
- Key
- G Major
- Camelot
- 9B
Romeo and Juliette, Act I: Enfin le place est libre, amis! - Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse Information
- Acousticness
- 87%
- Danceability
- 24%
- Energy
- 1%
- Instrumentalness
- 75%
- Liveness
- 12%
- Loudness
- 39%
- Speechiness
- 4%
- Valence
- 17%
- Popularity
- 2%
- Loudness
- -36.758 dB
Summary
"Romeo and Juliette, Act I: Enfin le place est libre, amis!" by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse was released on 1998. With Romeo and Juliette, Act I: Enfin le place est libre, amis! being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Gounod, Michel Plasson's "Gounod: Roméo et Juliette" album is number 7 out of 67. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Romeo and Juliette, Act I: Enfin le place est libre, amis! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Romeo and Juliette, Act I: Enfin le place est libre, amis! BPM
We consider the tempo marking of Romeo and Juliette, Act I: Enfin le place est libre, amis! by Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Romeo and Juliette, Act I: Enfin le place est libre, amis! Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orphée aux enfers, ACT 1, Deuxième tableau: l'Olympe: Par Saturne!, quel est ce bruit (Jupiter/Choeur/Diane) | Jacques Offenbach, Laurent Naouri/Jennifer Smith/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 4 | 11B | 113 BPM | |
 | Gounod: Faust, Act 4: "Gloire immortelle" (Chorus) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Gianni Schicchi: Ecco la cappellina! | Giacomo Puccini, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 1 | 7B | 88 BPM | |
 | Rigoletto, Act I: Figlia! Mio padre! | Giuseppe Verdi, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM | |
 | Deh vieni alla finestra | Wolfgang Amadeus Mozart, Simon Keenlyside, Ulf Schirmer | D Major | 1 | 10B | 127 BPM | |
| Gounod: Faust, CG 4, Act 4 Scene 1: No. 19, Marguerite au Rouet, (b) "Elles ne sont plus là! … Il ne revient pas" (Marguerite, Choeur) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Puccini: Tosca, Act 1: "Mario..Mario..Mario" (Tosca, Cavaradossi) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | A♭ Major | 1 | 4B | 110 BPM | |
 | Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller, ô souffle du Printemps ?" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | |
| Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | |
| Rigoletto, Act II: Schiudete... Ire al carcere Monteron dee | Giuseppe Verdi, Liudas Mikalauskas, Kostas Smoriginas, Dmitri Hvorostovsky, Nadine Sierra, Kaunas City Symphony Orchestra, Constantine Orbelian | A♭ Major | 1 | 4B | 82 BPM |
- ISRC
- GBAYC9500042
- Label
- L-M Records/RCA Records
Section: 1.0223321914672852
End: 1.0293583869934082