"Sechs Intermezzi zu Schumanns Jagdliedern, op. 137 für Bariton, Männerchor, Englischhorn und Horn: Intermezzo III -„Fluchtpunkte eines Jägers“" by Mark Anton Moebius, Klaus Breuninger, Ingo Goritzki, Hubert Wild, Christian Lampert, Die Meistersänger was released on June 20, 2007. The duration of Sechs Intermezzi zu Schumanns Jagdliedern, op. 137 für Bariton, Männerchor, Englischhorn und Horn: Intermezzo III -„Fluchtpunkte eines Jägers“ is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Sechs Intermezzi zu Schumanns Jagdliedern, op. 137 für Bariton, Männerchor, Englischhorn und Horn: Intermezzo III -„Fluchtpunkte eines Jägers“'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Robert Schumann, Uwe Kremp & Mark Anton Moebius: Encounters With Schumann - ...tief Im Blauen Traum...". In this album, this song's track order is #16. Furthermore, we believe that the track originated from Germany. Sechs Intermezzi zu Schumanns Jagdliedern, op. 137 für Bariton, Männerchor, Englischhorn und Horn: Intermezzo III -„Fluchtpunkte eines Jägers“ is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sechs Intermezzi zu Schumanns Jagdliedern, op. 137 für Bariton, Männerchor, Englischhorn und Horn: Intermezzo III -„Fluchtpunkte eines Jägers“ by Mark Anton Moebius, Klaus Breuninger, Ingo Goritzki, Hubert Wild, Christian Lampert, Die Meistersänger having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guerrero: Ave virgo sanctissima | A5 Vocal Ensemble, Francisco Guerrero | D♭ Major | 3 | 3B | 114 BPM | ||
Annelies (chamber version): IX. The dream | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | F Major | 0 | 7B | 68 BPM | ||
Infelix ego: I. Infelix ego | Adrian Willaert, Owain Park, The Gesualdo Six | D Major | 2 | 10B | 86 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Look Down, O Lord | Jonathan Seers, The Gesualdo Six, Owain Park | A♭ Minor | 1 | 1A | 86 BPM | ||
Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
Rückert Lieder: V. Ich bin der Welt abhanden gekommen (Transcr. Gottwald for Choir) | Gustav Mahler, SWR Vokalensemble Stuttgart, Marcus Creed | F♯ Minor | 4 | 11A | 107 BPM | ||
Elias, Op. 70: Teil II: Seraphim standen über ihm... Heilig ist Gott der Herr | Felix Mendelssohn, Thomas Hengelbrock | C Major | 2 | 8B | 78 BPM | ||
Anim Zemirot - Pt. II | Jacob Mühlrad, Swedish Radio Choir | E♭ Major | 1 | 5B | 115 BPM |
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