Henryk Wieniawski, Itzhak Perlman made "8 Etudes-Caprices Op. 18: A minor (arr. Kreisler)" available on December 3, 1990. With 8 Etudes-Caprices Op. 18: A minor (arr. Kreisler) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 10 in the song's album "Tchaikovsky: Violin Concerto etc.Violin Concerto". In this album, this song's track order is #8. In terms of popularity, 8 Etudes-Caprices Op. 18: A minor (arr. Kreisler) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With 8 Etudes-Caprices Op. 18: A minor (arr. Kreisler) by Henryk Wieniawski, Itzhak Perlman having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio No. 1 in B Major, Op. 8: II. Scherzo - Allegro molto | Johannes Brahms, Vienna Piano Trio | B Major | 1 | 1B | 160 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Ernst: Grand Caprice on "Der Erlkönig", Op. 26 (After Schubert) [Arr. Ernst] | Heinrich Wilhelm Ernst, Vadim Repin | G Minor | 3 | 6A | 127 BPM | ||
8 Études, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Evgeny Kissin | D♭ Minor | 2 | 12A | 132 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 95 BPM | ||
Elgar: Salut d'amour, Op. 12 | Edward Elgar, Itzhak Perlman, Samuel Sanders | D Major | 1 | 10B | 176 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 107 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM |
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