Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra made "Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto" available on 1968. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Édouard Lalo, Itzhak Perlman's "Lalo: Symphonie espagnole - Ravel: Tzigane" album is number 2 out of 6. In terms of popularity, Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Symphonie espagnole, Op. 21: II. Scherzando - Allegro molto by Édouard Lalo, Itzhak Perlman, André Previn, London Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole, Op. 21 IV. Andante | Édouard Lalo, Sarah Chang, Charles Dutoit, Concertgebouworkest | D Major | 1 | 10B | 90 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | A Major | 1 | 11B | 97 BPM | ||
Five Pieces In Folk-style, Op.102: I. Vanitas vanitatum mit Humor | Robert Schumann, Anne Gastinel | F Major | 1 | 7B | 104 BPM | ||
Lalo: Symphonie espagnole in D minor, Op. 21: I. Allegro non troppo | Édouard Lalo, Renaud Capuçon, Paavo Järvi, Orchestre de Paris | D Minor | 1 | 7A | 80 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | ||
Fauré: Élégie, Op. 24 (Orchestral Version) | Gabriel Fauré, Paavo Järvi, Orchestre de Paris | A♭ Major | 0 | 4B | 89 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo | Antonín Dvořák, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | F Major | 1 | 7B | 56 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM |
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