On October 30, 1998, the song "Udd Gaya Peepal" was released by Gurbaksh Singh Albela. Udd Gaya Peepal is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Nanaki Da Veer Vol-8". In this album, this song's track order is #5. Furthermore, we believe that the track originated from India. Based on our statistics, Udd Gaya Peepal's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Udd Gaya Peepal by Gurbaksh Singh Albela having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vakhra Suaad | Amarjeet Nagina, Kiranjoti | D♭ Major | 8 | 3B | 178 BPM | ||
Kutt Dun Chhade Nu Faddke - Studio | Mohd. Sadiq, Ranjeet Kaur | F Major | 6 | 7B | 165 BPM | ||
Sikhar Dupehare | Amarjeet Nagina, Kiranjoti | D♭ Major | 8 | 3B | 178 BPM | ||
Kothe Jidi Hogi Dhi | Jaswant Singh Diwana, Baldev Singh Billu, Gurbaksh Singh Albela | A♭ Major | 5 | 4B | 200 BPM | ||
Kanniyan Kuari | Major Rajsthani | F♯ Major | 7 | 2B | 77 BPM | ||
Daddy Kake Da | Sagar, Ritta | A♭ Major | 8 | 4B | 91 BPM | ||
Roop Nalon Jyada Bewafai | Karamjit Anmol | D♭ Major | 8 | 3B | 79 BPM | ||
Aoukha Jhalna Vichhora | Kuldeep Rasila | A Major | 8 | 11B | 143 BPM | ||
Siftan | Labh Heera | C Major | 7 | 8B | 170 BPM | ||
Deora Tenu Thag Takkre | Shingara Singh Chahal, Anita Samana | A♭ Minor | 7 | 1A | 92 BPM |
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